Music Market – MP3ar http://mp3ar.com/ Sat, 15 Jan 2022 16:23:54 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://mp3ar.com/wp-content/uploads/2021/07/icon-150x150.png Music Market – MP3ar http://mp3ar.com/ 32 32 How Music NFTs Could Disrupt the Music Industry https://mp3ar.com/how-music-nfts-could-disrupt-the-music-industry/ Sat, 15 Jan 2022 02:00:00 +0000 https://mp3ar.com/how-music-nfts-could-disrupt-the-music-industry/ Source: Adobe Stock / Gorodenkoff Copyright issues, exploitation, no royalties. These are just a few of the challenges that musicians around the world face when it comes to producing and distributing their music. With the emergence of non-fungible music tokens (NFTs), it is possible that the music industry could be improved. Read on to find […]]]>
Source: Adobe Stock / Gorodenkoff

Copyright issues, exploitation, no royalties. These are just a few of the challenges that musicians around the world face when it comes to producing and distributing their music. With the emergence of non-fungible music tokens (NFTs), it is possible that the music industry could be improved.

Read on to find out what music NFTs are, how they work, and how they can empower musicians around the world.

What are music NFTs?

2021 was arguably the year of non-fungible tokens, with multiple use cases emerging beyond crypto art and collectibles. Musical NFTs are one of them.

An NFT is a unique cryptographic token stored on a blockchain that represents a digital or physical asset. Once an NFT is created, it cannot be modified or duplicated. Additionally, NFTs can be encoded in a way that allows royalties to be paid to the creator, making it a very attractive technology for musicians.

Music NFTs are pieces of music recorded on a blockchain in the form of unique, non-fungible tokens that belong exclusively to the owner of the NFT. However, unlike the mp3s you download to your smartphone, music NFTs can also be sold and allow musicians to earn royalties for each secondary market sale.

How do music NFTs work?

When it comes to the music industry, there are different forms in which musical NFTs can appear. It can be a song represented by an audio or video file, an album cover, a concert ticket and signed products, among others.

In the production or sale of a musical NFT, the principle remains the same as in the other NFTs. A musician or band will decide what they want to sell to their fans, be it an audio file, concert tickets or merchandise. They will then identify which blockchain they will mint their NFT on, or which Music NFT platform to use. Some of the currently available Music NFT platforms are YOUR NFT, Opulent, OpenSea, and more.

After identifying their platform of choice, they will notify their fans of the release of their NFT drop, and list them for sale at the value they would like their works to sell.

Since music NFTs (and all other NFTs) cannot be replicated, they may decide to have a one-time sale on an audio file, where the highest bidder owns the original audio file (but not the copyright ). Alternatively, they could decide to create a limited number of NFTs of the same audio file, say 10,000, and then put them up for sale on a music NFT marketplace.

Every fan who purchases NFT music becomes the owner of their favorite musician’s work. They are then able to store the music NFTs in their crypto wallets and, if interested, can resell the NFT to a higher bidder in the future. Although they are the owner of the unique NFT and can sell it, the musician who created the NFT can earn from the resale of their work, which is one of the most powerful ways that music NFTs can empower musicians.

Several musicians and groups have already benefited from musical NFTs. For example, Dj 3LAU had an NFT drop called the UV collection, which had a worldwide record sale of over $11.6 million. This came from a single auction of 33 unique tokens. Additionally, Canadian musician Grimes has sold digital artwork in a collection called war nymph, which was grossing around $6 million at the start of 2021.

How NFTs Can Empower Musicians

Besides earning income from immediate NFT music sales, let’s look at other ways NFTs can empower musicians.

earn royalties

Musicians who create NFTs and sell them will earn subsequent sales of their NFTs. This will help reduce the problem of musicians not earning from the sale of their work, or earning only small amounts from centralized streaming services.

Cut out middlemen

One of the main challenges that musicians face is that they are often under contract with a record company. Alternatively, most independent musicians earn their money through streaming platforms. Either way, using music NFTs allows musicians to earn from the sale of their music or merchandise by selling directly to their fans.

Build an active fanbase

Music NFTs allow a musician to build a fanbase by creating a space where their fans can access unique NFTs related to the artist’s works. For example, events such as NFT airdrops allow musicians to reach audiences they previously would not have had access to.

Additionally, musicians can capitalize on unique fan experiences, such as having the ability for their fans to hang out with them virtually or in person. This has already been accomplished by musicians such as Snoop Dogg during his SandBox meet session, as well as Post Malone, who sold NFTs for people to play beer pong with him.

Provide opportunities for new artists

The low barriers to entry into the NFT music scene are a great opportunity for new musicians, as no one is stopping them from releasing new music or expecting them to fit into a certain “box” to sign a recording contract. With music NFTs, all a musician needs to do is create their music on their platform of choice and market their work to their fan base.

Currently, there are only a handful of musicians exploring the viability of musical NFTs. However, with increased awareness and adoption by fans, the opportunities for artists to benefit from the sale of musical NFTs increase dramatically.

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Learn more:
– How Wu-Tang Clan’s $4 Million Album Reflects Crypto Ethics
– The power of NFTs in music distribution

– US Music Producer Makes $11.7M in NFT Sales
– Grimes and Paris Hilton embrace full NFT – but some warn of trouble ahead

— SNL tells US viewers what NFTs are — via “Eminem” and “Janet Yellen”
– Activate expects NFTs to go mainstream by 2022

– NFT in 2022: From Word of the Year to Widespread Adoption and New Use Cases
– Insiders Predict: NFTs are the “Gateway Drug to Crypto”, More Countries Could Adopt Bitcoin in 2022

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(News Focus) New girl groups set to heat up the music market in 2022 https://mp3ar.com/news-focus-new-girl-groups-set-to-heat-up-the-music-market-in-2022/ Wed, 12 Jan 2022 00:00:03 +0000 https://mp3ar.com/news-focus-new-girl-groups-set-to-heat-up-the-music-market-in-2022/ SEOUL, Jan. 12 (Yonhap) – Only less than two weeks have passed since the start of the New Year, but the K-pop scene is already busy with news of rookie groups that are gaining worldwide attention or gearing up for their official debut. One of the most popular is Ive, the band managed by Starship […]]]>

SEOUL, Jan. 12 (Yonhap) – Only less than two weeks have passed since the start of the New Year, but the K-pop scene is already busy with news of rookie groups that are gaining worldwide attention or gearing up for their official debut.

One of the most popular is Ive, the band managed by Starship Entertainment which debuted on December 1 with the single “Eleven”.

The group is made up of six members, including Yujin and Wonyoung of IZ * ONE, the now disbanded popular project group formed through the local cable TV channel Mnet’s “Produce 48” audition show.

“Eleven” has since won wins on weekly TV music shows and has been featured on music charts around the world, including Billboard, Spotify and QQ Music in China.

After setting a record for most first week first album sales by any K-pop girl group, Ive’s debut single of the same name had sold over 260,000 copies by the end of December, according to Gaon local music tracker data. .

Closely following in Ive’s footsteps, Kep1er, a girl group made up of the nine finalists on Mnet’s audition show “Girls Planet 999”, which aired from August through October last year.

The multinational group of members from South Korea, China and Japan debuted on January 3 with their debut EP “First Impact” and broke Ive’s first week album sales record. .

The album sold over 200,000 copies in the first week of release with just over 150,000 copies sold on release day, according to local album sales tracker Hanteo Chart.

The song also topped the iTunes charts in 11 countries around the world, including Japan, India, Vietnam, Malaysia, Chile, Mexico and Brazil.

SM Entertainment’s latest girl group, aespa, and High Up Entertainment’s STAYC, both of which debuted in November 2020, are also garnering immense global attention.

aespa instantly became a celebrity thanks to her unique concept involving a universe based on a metaverse and members experiencing the new world with their avatars.

The quartet, in just over a year, took the K-pop industry by storm with three successive hits – the singles “Black Mamba”, “Next Level” and their debut EP “Savage”, and won a grand prize and a best rookie award at the national year-end music awards ceremonies.

STAYC was the only K-pop group chosen from among five notable artists for 2022 by global music platform Apple Music and music discovery app Shazam earlier this month.

The six-piece group established themselves last year as one of the leading fourth-generation idol groups with their single “ASAP”, followed by another popular release, “Stereotype”. He shared the rookie award with aespa at the annual Golden Disc Awards held in Seoul last week.

With SM taking the upper hand with aespa in the competition against the big K-pop labels, other companies – JYP, YG and Hybe – are preparing to enter the race with new faces.

JYP Entertainment, behind such popular girl groups as Wonder Girls, Miss A, TWICE and ITZY, has announced plans to unveil a new group next month.

The seven-member group, whose name is not yet known, expanded their fandom, posting videos of the members singing and dancing and throwing a surprise live concert in the street on their YouTube channel “JYPn”.

ADOR, a new independent label under Hybe, is preparing to launch a new girl group this year.

Hybe said last November that the girl group would be made up of members recruited from Hybe’s “Plus Global Audition” program in 2019 and would be produced by Min Hee-jin, who was Creative Director and a member of the board. of SM Entertainment before joining Hybe in 2019.

YG Entertainment is also planning to unveil their first girl group since BLACKPINK debuted in 2016. However, nothing is known about the group, including their debut schedule and number of members. There are rumors that Baby Monster could be the name of the new group, as the trademark of the name was recently registered by YG with the Korea Intellectual Property Office.

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Billie Eilish and Hans Zimmer win in music categories – Billboard https://mp3ar.com/billie-eilish-and-hans-zimmer-win-in-music-categories-billboard/ Mon, 10 Jan 2022 03:05:19 +0000 https://mp3ar.com/billie-eilish-and-hans-zimmer-win-in-music-categories-billboard/ The film of the same name ‘No Time to Die’ became the third song from a James Bond film to win the Golden Globe for Best Original Song on Sunday January 9, coming close to an Oscar nomination and possibly to earn. Billie Eilish co-wrote the song with her brother and main collaborator, Finneas O’Connell, […]]]>

The film of the same name ‘No Time to Die’ became the third song from a James Bond film to win the Golden Globe for Best Original Song on Sunday January 9, coming close to an Oscar nomination and possibly to earn. Billie Eilish co-wrote the song with her brother and main collaborator, Finneas O’Connell, for the long-delayed but ultimately successful MGM / United Artists Releasing film.

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Adele’s “Skyfall” and Sam Smith’s “Writing’s on the Wall” were Bond’s first Golden Globe-winning songs. They became Bond’s first two Oscar-winning songs.

that of Hans Zimmer Dune (Warner Bros.) won the Globe for Best Original Music. This is Zimmer’s third victory in the category, after The Lion King (1994) and Gladiator (2000). He went on to win the Oscar for The Lion King, although his Gladiator score lost the Oscar to Tan Dun’s Crouching Tiger Hidden Dragon.

The Globes are normally one of the top-rated (and most entertaining) awards shows, but NBC declined to air the show this year in response to allegations of financial and ethical breaches and diversity concerns among its members. members (not including a black member), first reported a year ago in The Los Angeles Times. The organization has since revamped its constitution and taken steps to diversify its membership, but many entertainment industry middlemen boycott the rewards until they are convinced the changes are real and permanent.

This year’s Golden Globes were presented at a private event without the presence of celebrities or nominees, and without a live broadcast. They were announced with fanfare on the organization’s website and on social media. So this year’s Golden Globe Awards don’t mean much – except as a possible predictor of how the Oscars might turn out. The Globes have been a fairly reliable predictor of future Oscar glory.

Six of the last 10 Globe winners for Best Original Song have won the Oscar – “Skyfall” from the film of the same name, “Glory” by Selma, “The writing is on the wall” of Spectrum, “City of stars” by La La Land, “Shallow of A star is born and “(I’m Gonna) Love Me Again” by Rocket man.

Seven of the last 10 Globe winners for Best Original Music won the Oscar – The Artist, The Life of Pi, The Hateful Eight, La La Land, The Shape of Water, Joker and Soul.

“No Time to Die” appears to be the frontrunner to win the Oscar for Best Original Song. It won a Grammy in March 2021 for Best Song Written for Visual Media and an Award for Song – Feature Film at the Hollywood Music in Media Awards on November 17.

Dune was nominated for Original Score – Feature Film at the Hollywood Music in Media Awards, but lost to Nicholas Britell’s score for Do not seek, which was ignored in the nods of the Globe.

Zimmer is one of six composers to have won at least three Globes for Best Original Score. Maurice Jarre, Dimitri Tiomkin and John Williams are in the lead with four wins each. Alan Menken and Ennio Morricone have also won three times.

The Oscar nominations will be announced on February 8. The rewards will be unveiled on March 27.

The other Globe nominees for Best Original Song were “Be Alive” by king richard (Warner Bros.) – Beyoncé Knowles-Carter, Dixson; “Dos Orugitas” by Encanto (Walt Disney Pictures) – Lin-Manuel Miranda; “Until the joy” of Belfast (Focus Features) – Van Morrison and “Here I Am (Singing My Way Home)” by Respect (MGM / United Artists Releasing) – Jamie Alexander Hartman, Jennifer Hudson, Carole King.

Other nominees for the Globe for Best Original Music were The French dispatch (Searchlight photos) – Alexandre Desplat, Encanto (Walt Disney Pictures) – Germaine Franco, The power of the dog (Netflix) – Jonny Greenwood, and Parallel mothers (Sony Pictures Classic) – Alberto Iglesias.

In related categories, Steven Spielberg’s new version of West Side Story won the award for best film, musical or comedy. Additionally, Rachel Zegler won the award for Best Actress in a Musical or Comedy for her role as Maria in that film, which was her theatrical debut. Ariana Debose won the award for Best Supporting Actress in a Motion Picture for her role of Anita. Rita Moreno won a Globe and an Oscar for playing this role in the original classic 1961 film.

Encanto won the award for best animated film. The soundtrack goes from No.7 to No.1 on the Billboard 200 this week. Lin-Manuel Miranda wrote all the songs on the album.

Andrew Garfield won Best Performance by an Actor in a Musical or Comedy for tick … tick … BOOM!, in which he plays To rent creator Jonathan Larson.


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Seascale entrepreneur Josh Murphy helps the music industry turn around https://mp3ar.com/seascale-entrepreneur-josh-murphy-helps-the-music-industry-turn-around/ Sat, 08 Jan 2022 12:00:00 +0000 https://mp3ar.com/seascale-entrepreneur-josh-murphy-helps-the-music-industry-turn-around/ A MAN of Seascale is taking a unique initiative to improve the music industry in a very practical way. Josh Murphy, 22, is playing a proactive role in reviving the music industry by helping it grow from Covid 19 and adapt to the pandemic. After seeing the incredible amount of damage done to the music […]]]>

A MAN of Seascale is taking a unique initiative to improve the music industry in a very practical way.

Josh Murphy, 22, is playing a proactive role in reviving the music industry by helping it grow from Covid 19 and adapt to the pandemic.

After seeing the incredible amount of damage done to the music industry and after going through the changes brought about by the virus itself, you can see why.

Mr Murphy said: “I finished my last year of college in a 100% online work environment and I don’t want that for the music industry.

“We’re a very practical industry that relies on networking and relationships, so it’s about helping musicians and music companies adapt to changing work environments. ”

In 2020, more than 30% of jobs in the music industry were lost due to Covid-19, with the arts and entertainment industry being one of the sectors most affected by the pandemic.

Having contributed £ 5.8bn to the UK economy in 2019, the music industry plays a major role in helping the UK recover from Covid-19.

One of the ways it helps the music industry is to manage musicians and bands with contemporary strategies and techniques, helping them achieve their goals and ambitions while navigating a post-pandemic environment.

In addition to this, the music industry practitioner helps venues, record labels, public relations companies and many more promote themselves and improve the interpersonal relationships between musicians and music companies.

Mr Murphy added: “I want to work closely with members of the music industry, to contribute to their careers and to help music industry professionals get out of Covid-19.

“The only way I see the industry recovering from Covid-19 is to collaborate and understand how we can work together.”


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Music Consoles Market Research Report and Forecast to 2028 – Yamaha, AVID, Audiotonix – Industrial IT https://mp3ar.com/music-consoles-market-research-report-and-forecast-to-2028-yamaha-avid-audiotonix-industrial-it/ Thu, 06 Jan 2022 12:50:58 +0000 https://mp3ar.com/music-consoles-market-research-report-and-forecast-to-2028-yamaha-avid-audiotonix-industrial-it/ “ Global Market Vision has published powerful statistical data titled Music console market. It defines recent innovations, applications and end users in the market. It covers the different aspects, which are responsible for the growth of industries. Different areas are considered on the basis of the capital of the music console market. The analyst looks […]]]>

Global Market Vision has published powerful statistical data titled Music console market. It defines recent innovations, applications and end users in the market. It covers the different aspects, which are responsible for the growth of industries. Different areas are considered on the basis of the capital of the music console market. The analyst looks at different companies on the basis of their productivity to review current strategies. All the major players across the globe are presented with different terms such as product types, industry contours, sales and much more.

With the development of recent technologies, it gives a clear idea about new advanced tools, which helps to expand businesses rapidly. Factors such as risk and opportunity are highlighted in the Music Consoles market. Importance is given to customer requirements at national and global level.

Fill out the form to get a sample report + all related charts and graphs @ https://globalmarketvision.com/sample_request/39803

The report highlights the latest revenue trends and market progress along with all realistic company statistics. It provides prevention and planned management and highlights a summary of the global Music Consoles market along with classification, definition, and market chain structure.

The major market players presented in the report include:

Yamaha, AVID, Audiotonix, BEHRINGER, Cadac, Samsung Electronics, DiGiCo, The Music Group, Siemens(AMS Neveï¼ ‰, PreSonus Audio Electronics, Lawo.

Market segmentation :

Based on type:

Digital, analog

Based on demand:

Radio broadcast, TV broadcast, recording studio, others

The report studies the various product segments and end-user applications segment of the global Music Console market. Accumulating important data from relevant sources, the report assesses the growth of individual market segments. Further, the market size and growth rate of each of the segments have been examined in the report. The report considers the key geographic segments and talks about all the favorable conditions that are driving the growth of the market.

Geographically, regions such as North America, Europe, Latin America, Asia-Pacific, Middle East & Africa and LAMEA are of major importance. The major driving forces behind the Global Music Consoles Market are drivers, challenges, trends, restraints, and opportunities. The restrictions are also the subject of a safety law which proves to be a prospect for this market during the forecast period 2021 to 2028 respectively.

In addition to this, the strong trends shaping the growth pattern of the global Music Console market are discussed in detail in the report. In accordance with this, the information on various aspects of the Musical Consoles market is discussed in detail also keeping the international analysis in the picture.

The following aspects are presented along with a comprehensive analysis of the Music Console market research reports:

Production analysis – The start of this music console is reviewed according to the most important countries, types and applications. The price analysis of various major players in the Music Console market will be fully covered in this study.

Profit and sales analysis – The revenue and sales of key components of the international music console market are validated. Another important factor, price, which has a significant impact on sales growth, can be assessed in this section for many regions.

Segments and Benefits – Continuing the theme of profits, this article examines the design and ingestion of its music console market. The differences between usage and procurement, export and import data are also highlighted in this research.

Many global music console industries – the main players have been assessed in this area based on their company profile, product portfolio, capabilities, prices, costs and revenues.

Other analysis – In addition to the above data, demand and supply analysis for the music console economy, contact details of major producers, suppliers and consumers can be assigned.

Get a research report within 48 hours @ https://globalmarketvision.com/checkout/?currency=USD&type=single_user_license&report_id=39803

If you have any special requirement, please let us know and we will offer the report to you at a custom price.

The final report will add analysis of the Impact of Covid-19 in this Music Console Market report.

Adapting to the recent new COVID-19 pandemic, the impact of the COVID-19 pandemic on the global music console market is included in this report. The influence of the novel coronavirus pandemic on the growth of the Music Consoles market is analyzed and described in the report.

About Global Market Vision

Global Market Vision is made up of an ambitious team of young, experienced people who focus on the details and deliver the information according to the client’s needs. Information is vital in the business world and we specialize in disseminating it. Our experts not only have in-depth expertise, but can also create a comprehensive report to help you grow your own business.

With our reports, you can make important tactical business decisions with the confidence that they are based on accurate and well-founded information. Our experts can allay any concerns or doubts about our accuracy and help you tell the difference between reliable and less reliable reports, reducing the risk of making decisions. We can make your decision-making process more precise and increase the likelihood of your goals succeeding.

Contact us

Sarah Ivans | Business development

Phone: + 1-3105055739

E-mail: [email protected]

Global market vision

Website: www.globalmarketvision.com


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Nifter (TM), an NFT music marketplace strikes a strike deal with recording artist Lexi Drew to list One of a Kind NFT for sale https://mp3ar.com/nifter-tm-an-nft-music-marketplace-strikes-a-strike-deal-with-recording-artist-lexi-drew-to-list-one-of-a-kind-nft-for-sale/ Tue, 04 Jan 2022 15:45:00 +0000 https://mp3ar.com/nifter-tm-an-nft-music-marketplace-strikes-a-strike-deal-with-recording-artist-lexi-drew-to-list-one-of-a-kind-nft-for-sale/ BEVERLY HILLS, CA / ACCESSWIRE / January 4, 2022 / ClickStream Corp., (OTC: CLIS), a technology company focused on developing digital applications and platforms that disrupt conventional industries, today announced its subsidiary Rebel Blockchain, Inc. aka Nifter ™, a music NFT marketplace which enables artists to create, sell and discover unique musical and sound NFTs […]]]>

BEVERLY HILLS, CA / ACCESSWIRE / January 4, 2022 / ClickStream Corp., (OTC: CLIS), a technology company focused on developing digital applications and platforms that disrupt conventional industries, today announced its subsidiary Rebel Blockchain, Inc. aka Nifter ™, a music NFT marketplace which enables artists to create, sell and discover unique musical and sound NFTs in the marketplace Nifter ™ has signed a striking agreement with Riveting Music recording artist Lexi Drew to list a one-of-a-kind NFT for sale. Drews NFT is expected to go on sale this quarter.

Lexi Drew is a young artist on the way to becoming a star, having recently signed with Riv Music in August 2020. Riveting Music, a division of Riveting Entertainment, is a multi-award-winning independent content studio and music label known for their award-winning projects. featuring Chris Brown, Lady Gaga, Nicki Minaj, Jack Harlow and more. After reaching fame with girl group L2M, Lexi Drew is emerging as a promising rapper and songwriter to be reckoned with. Drew is originally from Dallas, Texas, where she began to develop a passion for hip hop and rap at a young age. Lexi’s time has now come to surge onto the modern music scene with her bad girl ambition unmatched by any artist her age. Today, she has hundreds of thousands of subscribers across all relevant social platforms and streaming services, with whom she interacts through Vlogs and other projects.

More information is available online at https://rivetingentertainment.com/ and on social networks at;

Twitter on https://twitter.com/lexidreww?lang=fr
Instagram at https://www.instagram.com/lexidrew/?hl=fr
Facebook at https://www.facebook.com/LexiDrewww
Spotify on https://open.spotify.com/artist/3m07oWJujLpHm2LEX9s64K
Soundcloud at https://soundcloud.com/lexidrewofficial

“I am very happy to release my first NFT with Nifter ™! “ said Lexi Drew, recording artist.

Frank Magliochetti, CEO of Clickstream, said: “We are delighted to have a multi-talented artist like Lexi Drew in our NFT market. We look forward to our relationship and cultivate its worldwide NFT presence in our market. As previously announced, Riveting and Nifter have joined forces to bring some of today’s most exciting musical artists to the platform. Expect more announcements from many artists, media buzz in the music industry and many more to follow. “

ABOUT RIVETS ENTERTAINMENT

Riveting Entertainment is a multiple award-winning content studio and independent music label (Riveting Music). Founded in 2008, Riveting produces and distributes content worldwide and is based in Los Angeles with a client list that includes Lady Gaga, Chris Brown, Tyga, G-Eazy, Redman, Justin Bieber, Sam Smith, Nicki Minaj, DJ Khaled, Mary J Blige, Ariana Grande, Backstreet Boys, Big Sean, Jack Harlow, Redman and many more. In addition to creating, directing and producing some of the best visuals in music, Riveting also produced the hit documentary “Chris Brown: welcome to my life followed by “The making of:” by Mary J. Blige The strength of a woman “ documentary. welcome to my life is currently on Netflix. More information is available online at https://rivetingentertainment.com/ and https://www.rivnow.com/ and on social networks;

Twitter on https://twitter.com/RIVETING_ENT
Instagram at https://www.instagram.com/rivetingentertainment/,
Facebook at https://www.facebook.com/rivetingentertainment and
YouTube on https://www.youtube.com/channel/UCZiPXWQKaAtqcq1c9tnKSIQ

ABOUT CLICKSTREAM CORPORATION

ClickStream is a technology company focused on developing digital applications and platforms that disrupt conventional industries. The company currently markets and develops WinQuik ™, HeyPal ™, Nifter ™ and Joey’s Animal Kingdom ™, respectively. For more information, please visit them online at https://clickstream.technology/ and follow them on social networks; Twitter on https://twitter.com/ClickstreamC and Instagram at https://www.instagram.com/clickstreamcorp/.

WinQuik ™, is a free synchronized mobile application and digital gaming platform. The platform is designed to allow WinQuik ™ users to have fun, interact and compete in order to win real money and prizes. For more information, please visit them online at https://www.winquik.com/ and follow them on social networks; Twitter on https://twitter.com/winquikapp and Instagram at https://www.instagram.com/winquiktrivia/.

HeyPal ™, via Nebula Software Corp., a subsidiary of ClickStream, is a language learning application that focuses on “language exchange” between users around the world. For more information, please visit them online at https://www.heypalapp.com/and follow them on social networks; Twitter on https://twitter.com/HeypalA and Instagram at https://www.instagram.com/heypalapp/.

Nifter ™, through ClickStream’s subsidiary Rebel Blockchain Inc., is a musical NFT marketplace that enables artists to create, sell and experience unique musical and sound NFTs in the Nifter ™ marketplace. For more information, please visit them online at https://nifter.io/ and follow them on social networks; Twitter on https://twitter.com/Nifter7 and Instagram at https://www.instagram.com/nifter.io/ .

Joey’s Animal Kingdom ™ is a kids entertainment and education app that takes kids all around this amazing planet to see amazing animals and creatures. For more information on Joey’s Animal Kingdom ™, please visit the website at ttps: //www.wowee.world.

SAFE PORT DECLARATION

This press release contains forward-looking statements which can be identified by words such as “believes”, “expects”, “, ‘,”. , “or similar expressions. Many forward-looking statements involve known and unknown risks, uncertainties and other factors that may cause actual results to differ materially from future results implied by such statements. These factors include, but are not limited to limited thereto, our ability to continue to improve our products and systems to cope with industry changes, our ability to expand our customer base and retain existing customers, our ability to compete effectively in our market segment, the lack of public information about our company, our ability to raise sufficient capital to fund our business, operations, our ability to continue our business and a limited public market for our common shares, among other risks. Many factors are difficult to predict with precision and are generally beyond the control of the company. Forward-looking statements speak only as of the date on which they are made, and we do not undertake to update any forward-looking statements to reflect circumstances or events that occur after the date on which the forward-looking statements are made.

FOR MEDIA INQUIRIES, PLEASE CONTACT:

Franck Magliochetti
CEO
ClickStream Corporation
info@clickstream.technology

THE SOURCE: ClickStream Corporation

See the source version on accesswire.com:
https://www.accesswire.com/680857/NifterTM-a-Music-NFT-Marketplace-Executes-Minting-Agreement-with-Recording-Artist-Lexi-Drew-to-list-One-of-a-Kind- NFT for sale



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NFT Beat Redefines the Music Industry Using the Revolutionary Power of Blockchain https://mp3ar.com/nft-beat-redefines-the-music-industry-using-the-revolutionary-power-of-blockchain/ Sun, 02 Jan 2022 15:06:00 +0000 https://mp3ar.com/nft-beat-redefines-the-music-industry-using-the-revolutionary-power-of-blockchain/ A whole new way for music lovers to support their favorite artists SINGAPORE, January 2, 2022 /EINPresswire.com/ – The NFT Beat is the new decentralized, community-driven NFT marketplace for music artists that can change the way music enthusiasts interact with music and their favorite artists. Scheduled to launch in the second quarter of 2022, NFT […]]]>

A whole new way for music lovers to support their favorite artists

SINGAPORE, January 2, 2022 /EINPresswire.com/ – The NFT Beat is the new decentralized, community-driven NFT marketplace for music artists that can change the way music enthusiasts interact with music and their favorite artists. Scheduled to launch in the second quarter of 2022, NFT beat is revolutionizing the music industry using the power of blockchain technology. On January 26, 2022, NFT Beat is holding a presale at 6 p.m. UTC with the soft cap of 250 Binance Coin and the hard cap of 500 Binance Coin.

“We are excited to launch the NFT beat in 2022. Our goal is to create an ecosystem that gives artists more autonomy over their creations and gives them the potential to significantly increase their income. Said Paul Chen, co-founder of NFT Beat. “The platform enables music artists to digitally connect, invest and trade NFTs for their creations on a blockchain-based tokenomics platform,” added Paul.

In NFT Beat, artists will have the opportunity to build a fan base, share their work in progress and publish their compositions. They will have the ability to create, grow and monetize without leaving the platform or signing a recording contract. “We take 6% of every trade of which 3% is NFT Beat’s profit, and 2% is redirected to the holders proportionately, and the rest is burned,” Paul added of NFT Beat’s operating model.

The team behind this one-of-a-kind revolutionary model are highly skilled and have extensive experience in blockchain technology and business development. “We are a three person team based in Asia, and we decided to take on this project because we saw the huge untapped potential of the music industry. Said, Paul.

The NFT Beat uses a native $ Beat token to facilitate transactions. Users can buy, sell, auction any NFT on the platform through the blockchain. “We are offering an 8% reward on every buy / sell transaction on Binance before the launch of the NFT market. ” He added.

The rewards system will be phased out once the NFT market is launched. The part of the profits generated by the platform will be distributed to the holders, quarterly, on a pro rata basis.

To find out about the latest news, join the NFT Beat team on:

Telegram – https://t.me/nftbeat

Facebook – https://www.facebook.com/NFT-Beat-109445921583607

Reddit – https://www.reddit.com/r/nftbeatofficial

Instagram – https://www.instagram.com/nft.beat.official/

Twitter – https://twitter.com/nft_beat

Website : www.nftbeat.site

Paul Chen
NFT beat
info@nftbeat.site



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Faster Than Sound: A Year’s Headlines in Limbo: A Flurry of Industry Activity in an Intermittent Reopening Scene – Music https://mp3ar.com/faster-than-sound-a-years-headlines-in-limbo-a-flurry-of-industry-activity-in-an-intermittent-reopening-scene-music/ Fri, 31 Dec 2021 22:46:01 +0000 https://mp3ar.com/faster-than-sound-a-years-headlines-in-limbo-a-flurry-of-industry-activity-in-an-intermittent-reopening-scene-music/ Gary Clark Jr. at the Moody Amphitheater in Waterloo Park in August (Photo by David Brendan Hall) Austin’s music has spent much of the year in limbo, and here we are again – holding our breath as a handful of sets and events cancel each other out because of Omicron. Rather than being defined by […]]]>

Gary Clark Jr. at the Moody Amphitheater in Waterloo Park in August (Photo by David Brendan Hall)

Austin’s music has spent much of the year in limbo, and here we are again – holding our breath as a handful of sets and events cancel each other out because of Omicron. Rather than being defined by an album or show, the local music headlines of 2021 crawl to the beat of national events.

When COVID raged, concerts were canceled, a tedious continuum, over and over again. When an unprecedented frost hit Texas in February, musicians and production workers distributed essential supplies. In April, as vaccines became available, an advocacy group Austin Texas Musicians musicians dosed at Pershing while Austin Musicians’ Health Alliance vaccinated limbs inside Emo’s.

Just in time for the fall of a largely maskless live touring economy to return, many big clubs have struck a ceasefire with the Texas Alcoholic Beverage Commission under sliding protocol: concerts require recent negative COVID-19 tests in all areas and accept proof of vaccination as an alternative, always mentioning the cards in second position in the infographic.

The year of limbo conformed to a quote provided by ACL Live at the Moody Theater General manager Colleen Fischer in March, speaking of rescheduled tours: “It’s a moving target, unfortunately. We do our best to navigate it. We continue to move shows. We continue to book shows. “

Former Music Lab location in Saint-Elme (Photo by John Anderson)

Lost musical spaces

Lost music venues of the year include the BARN on Brodie Lane, the Parish, Dry Creek Café and Boat Dock, and Hazelnut amphitheater (whose owners plan to open a new Round Rock concept). Otherwise, 2021 also closed Groover’s Paradise Record Store, the hi-fi paradise Sound gallery, and Music labthe final location of St. Elmo. An indicator of Elon muskthe growing presence of in Austin, this latest beloved music incubator has become a You’re here showroom and service center.

Asked about the viability of operating a rehearsal space, the secretary of the Music Lab Joe cabela said to the Chronicle: “I think it would be difficult within the city limits. The cost of construction and the market rents make it difficult.”

The parish abruptly closed in October after the owner Matt reppert changed the locks and barricaded the windows without warning, according to a lawsuit filed by the owners of the premises. Seeking more than a million dollars in damages, the lawsuit alleged that the owner “had instigated a plot to requisition the business”. By the lake, Dry Creek Cafe threw one last Halloween party after its longtime owner Jay “Buddy” Reynolds sold the 68-year-old dive bar, despite fan rallying.

Inside the Concourse project in September (Photo by John Anderson)

An influx of openings

With the re-emergence of live music, an influx of new venues has made debuts delayed by the pandemic. The cavernous Competition project started booking big names in dance and electronics near the airport in June. Public green space during the day and a room for 5,000 people at night, Waterloo Park‘s Moody Amphitheater started hosting major tours in August, working with promoters C3 presents.

In other opening updates, Long-term salon established a second location at 1910 E. Cesar Chavez, formerly Stay Gold. Captain Quackenbush’s Cafe opened a 100-seat venue in the former South Austin site house Strange drink. Dance club with murals Outer Heaven nightclub occupies 1808 E. 12th, which once housed dozen street and Club 1808.

Right next to Burnet, North Austin stop Love wheel discs open in April under the ownership of Mike Nicolai, known as the longtime sound engineer at Hole in the wall. The breweries also provided top-notch outdoor stages, including increased bookings to Central machinery works and Meanwhile the brewing.

Astromonde impacts

ScorePlus, an Austin-based production and promotion company owned by Living country, has come under scrutiny following the Astromonde Festival tragedy in Houston. Considered one of the deadliest concerts in US history, the event left 10 people dead and dozens injured. A state task force headed by Texas Bureau of Music Director Anthony brendon – including safety experts, police and fire officials, state agencies like TABC, and unspecified leaders in the music industry – began meeting to produce a report on the safety of concerts.

The virtual convention avenue designed for SXSW Online

Who owns Austin Industry?

Following a virtual edition of the flagship festival in March, South by South-West announced a major new investor in April. Owners of Rolling stone, Billboard, Variety, and more, media umbrella P-MRC took a 50% stake in the Austin company. The partnership bolstered finances while the CEO of SXSW Roland swenson called “an incredibly difficult time for small businesses, including SXSW”.

Austin’s Keeled scales in partnership with the important Illinois footprint Polyvinyl in May, opening of a joint local office. By purchasing a 25% stake in the local brand, Polyvinyl takes care of direct fulfillment of consumer orders, while Keeled Scales retains creative control. And in June, members of the concert promotion team behind Margin Walker and Transmission events launched a new events company Resonate present below Graham williams‘ ownership.

The places have also changed hands: Ryman Hospitality Properties, owners of Nashville’s Ryman Auditorium and the Grand Olé Opry, renewed its plans to acquire the flagship Austin site ACL Live at the Moody Theater. Spider House Ballroom renamed just “The ballroom“under a new owner by Chris Boulanger, owner of from Arlo herbal restaurants.

The end of a 10-year management contract between KUT / KUTX and UT-Austin leads to the dismissal of Cafe Cactus director Matt Muñoz and executive assistant Amy Chamblesse. The venue has been reduced to anecdotes, open mics, and less than a dozen artists booked this fall semester, mostly curated by a group of students Events + Entertainment.

Funding of local and federal sites

After lobbying throughout 2020, local and federal site relief has been rolled out this year. The city of Austin created Preservation of live music venues The fund has allocated $ 5 million to local concert halls as part of COVID-19 relief efforts. As part of the emergency funding for Phase 1, 74 local sites received upfront payments of $ 20,000, quickly distributed by the city’s partner, the Long center. In phase 2 of the program, 28 clubs received larger ongoing grants.

Many Austin site owners hoped the local fund would complement larger support from the Subsidy for shutter room operators – also known as Save our steps. After many delays, the Small business management awarded more than $ 11.3 billion over the summer, awarding more than $ 130 million to 108 Austin-based live music and performing arts entities. According to data released in October, the top five amounts went to UT-Austin’s Texas Performing Arts, Messina Tourism Group, South by South-West, Alamo Drafthouse South Lamar, and Alamo Drafthouse Lakeline.

Chencho Flores (Photo by John Anderson)

In memory

Twelve months have claimed many essential figures in Austin’s music. Alphabetically:

Nanci Griffith on the cover of The Chronicle of Austin in 2005

Austin Music Network Programmer Benjamin kent, former local spouse Chencho Flores, masterful blues guitarist Denny freemanesteemed folk and country songwriter Nanci griffithpoignant punk musician Brandon hamiltongenerous ABGB co-founder Mark Jensen, old Small Longhorn Lounge owner Ginny Kalmbach, renowned jazz drummer Scott Laningham, influential bassist Yoggie Musgrove, sound engineer who shapes the industry Rupert neve, promoter of powerful concerts /Backyard and Austin Music Room owner Tim o’connor, super harmonica Paul Oscher, psychedelic visionary /Janis Joplin group mate Powell St. John, boogie-woogie pianist Gene Taylor, pioneering music journalist Ed ward, and to top it all Broken spoke patriarch Jacques Blanc.

The last time I spoke with White, in July 2020, he reflected on the pandemic, “I don’t want this damn virus to kill live music, whether it’s country or rock or blues or whatever. It’s just a fucking shame … You can listen on TV or radio, but nothing beats being there with live music and letting the music take you where it takes you. can’t be the capital of live music if you don’t have music. It makes sense to me! “


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Musical Instruments Market 2021 Industry trends, future demands, growth factors, emerging technologies. – Industrial data https://mp3ar.com/musical-instruments-market-2021-industry-trends-future-demands-growth-factors-emerging-technologies-industrial-data/ Thu, 30 Dec 2021 04:01:10 +0000 https://mp3ar.com/musical-instruments-market-2021-industry-trends-future-demands-growth-factors-emerging-technologies-industrial-data/ The recent report on “2021 Musical Instruments Market report by key players, types, applications, countries, market size, forecast to 2028 » Offered by Credible markets, includes a comprehensive survey of geographic landscape, industry size as well as estimated company revenue. In addition, the report also highlights the challenges hampering the market growth and the expansion […]]]>

The recent report on 2021 Musical Instruments Market report by key players, types, applications, countries, market size, forecast to 2028 » Offered by Credible markets, includes a comprehensive survey of geographic landscape, industry size as well as estimated company revenue. In addition, the report also highlights the challenges hampering the market growth and the expansion strategies employed by the leading companies in the “”Musical instruments market”.

Main benefits for stakeholders

  • The report provides quantitative analysis of current Musical Instrument market trends, estimates and market size dynamics from 2015 to 2028 to identify existing opportunities.
  • Porter’s Five Forces Analysis highlights the power of buyers and suppliers to empower stakeholders to make profit-driven business decisions and strengthen their supplier-buyer network.
  • In-depth analysis along with market size and segmentation helps in determining the dominant market opportunities for Musical Instruments.
  • The main countries in each region are mapped according to their contribution to market revenues.
  • The market player positioning segment facilitates benchmarking and provides a clear understanding of the current position of market players in the Musical Instrument industry.

Musical Instrument Market: Competition Landscape

The Musical Instrument market report comprises information on product launches, sustainability, and outlook for major vendors, including: (Roland, Ace Products Group, Steinway & Sons, Kawai Musical Instruments, Gold Tone Music Group, Steinway Musical Instruments, Gibson Brands, Yamaha, Fender Musical Instruments, Virgin Musical Instruments)

Click on the link for a free sample copy of the report @ https://crediblemarkets.com/sample-request/musical-instrument-market-77169?utm_source=Amruta&utm_medium=SatPR

Musical instruments market: segmentation

The Musical Instrument market is segmented by type and by application for the period 2021-2028, the growth among the segments provides accurate tricks and sales forecast by type and by application in terms of volume and value. This analysis can help you grow your business by targeting qualified niche markets.

By types

music synthesizer
DJ equipment
Wind instruments
Percussion
Pianos
Keyboards
String instruments

By applications

Job
Amateur

Musical Instruments Market: Regional Analysis

All the regional segmentation has been studied on the basis of recent and future trends, and the market is forecast throughout the forecast period. The countries covered in the regional analysis of the Global Musical Instrument Market report are North America United States, Canada and Mexico, Germany, France, United Kingdom, Russia, North America, United States, Canada and Mexico. ‘Italy, Spain, Turkey, the Netherlands, Switzerland, Belgium and the rest of Europe in Europe, Singapore, Malaysia, Australia, Thailand, Indonesia, Philippines, China, Japan, India, Korea South, Rest of Asia-Pacific (APAC) in Asia-Pacific (APAC), Saudi Arabia, United Arab Emirates, South Africa, Egypt, Israel, Rest of Middle East and Africa (MEA) ) being part of the Middle East and Africa (MEA), and Argentina, Brazil and the rest of South America being part of South America.

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Main points covered by the table of contents:

Market Snapshot: It comprises six sections, research scope, major manufacturers covered, market fragments by type, Musical Instrument market portions by application, study objectives, and years considered.

Market landscape: Here the opposition in the global musical instrument market is dissected, by value, revenue, offerings and pie by organization, market rate, ruthless circumstances Landscape and latest models, consolidation, development, obtaining and portions from the whole industry of the best organizations.

Manufacturer Profiles: Here, the major players in the global musical instrument market are considered to be dependent on region on offerings, key components, net benefit, revenue, cost, and creation.

State of the market and outlook by region: In this segment, report examines net benefit, transactions, revenue, start-up, part of overall industry, CAGR and market size by region. Here, the global musical instrument market is thoroughly examined based on areas and countries like North America, Europe, China, India, Japan, and MEA.

Application or end user: This segment of the exploration study shows how extraordinary end customer / application sections are adding to the global musical instrument market.

Market forecast: Production side: In this part of the report, the creators focused on the creation and creation esteem conjecture, the gauge of major manufacturers, and the creation and creation esteem estimate. by type.

Research findings and conclusion: This is one of the last segments of the report where the findings of the investigators and the end of the exploration study are given.

Do you have a specific question or requirement? Ask our industry expert @ https://crediblemarkets.com/enquire-request/musical-instrument-market-77169?utm_source=Amruta&utm_medium=SatPR

Key questions answered in the report:

  • What will be the pace of market development of the Musical Instrument market?
  • What are the key factors driving the global Musical Instrument market?
  • Who are the main manufacturers in the market?
  • What are the market openings, the market risks and the main lines of the market?
  • What are sales, revenue, and price analysis of the major manufacturers of the Musical Instrument market?
  • Who are the distributors, traders and resellers of the Musical Instrument market?
  • What are the Musical Instrument market opportunities and threats facing the vendors of the global Musical Instrument industries?
  • What is Offerings, Revenue, and Value Review by Types and Uses in the Market?
  • What is the Review of Transactions, Revenue and Value by Business Line?

About Us

Credible Markets is a new age market research company with a firm grip on the pulse of global markets. Credible Markets has become a reliable source for the market research needs of companies in a rapid period of time. We have worked with leading market information publishers and our reporting pool coverage spans all key industry verticals and thousands of micro markets. The massive repository allows our clients to choose from recently published reports from a range of publishers who also provide in-depth regional and national analysis. Plus, pre-booked research reports are some of our best deals.

The collection of market information reports is regularly updated to provide visitors with easy access to the most recent market information. We provide round-the-clock support to help you reuse search parameters and thus benefit from a full range of reserved reports. After all, it’s all about helping you make an informed strategic decision about purchasing the right report that meets all of your market research demands.

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The years when music died. The pandemic lament of a Berkshire songwriter | Business https://mp3ar.com/the-years-when-music-died-the-pandemic-lament-of-a-berkshire-songwriter-business/ Tue, 28 Dec 2021 10:00:00 +0000 https://mp3ar.com/the-years-when-music-died-the-pandemic-lament-of-a-berkshire-songwriter-business/ For singer-songwriter Bernice Lewis, the pandemic has changed the world of work. She was pictured at her Williamstown home last week. CAROLINE BONNIVIER SNYDER – THE EAGLE OF BERKSHIRE WILLIAMSTOWN – In the last few weeks of Project Paycheck reporting, I spoke with people in the Berkshires looking for the smart thing to do next, […]]]>






bernice lewis next to this lead

For singer-songwriter Bernice Lewis, the pandemic has changed the world of work. She was pictured at her Williamstown home last week.




WILLIAMSTOWN – In the last few weeks of Project Paycheck reporting, I spoke with people in the Berkshires looking for the smart thing to do next, given the job changes – and work-life issues – that are forced on us by the pandemic.

Last week I went to Williamstown and had tea with Bernice Lewis, a Nationally renowned singer-songwriter who built a career the only way you could before social media – one performance at a time.

She had coffee – a few cups.

We sat at a table in the large room which includes his family’s kitchen, living room and place to eat and, most importantly, a place to make music, all with stunning views to the east of the river. Hoosac chain.

I’ve written about the “big resignation” phenomenon, the surprising number of people abandoning their old jobs and careers. Lewis is not leaving. She would gladly return to the music business that spanned four decades, if that still was the case. She has performed across the United States, including the Kennedy Center and as a featured performer on NPR’s “Mountain Stage” program. In 2008 Lewis was named Artist in Residence with the National Park Service.

The pandemic closed concert halls everywhere in March 2020. Let’s start there. “He just fell straight off a cliff in March,” Lewis told me. “Some amazing things on my calendar are gone.”

Like many artists, she used social media to keep in touch with her fans, producing Facebook Live performances from this hall, this large hall. I watched a few home shows at the time, but didn’t consult Lewis until later.






bernice lewis

For nearly four decades, singer-songwriter Bernice Lewis of Williamstown has built a national reputation as an original American musician. The pandemic has turned all of this upside down.




Just my opinion here: It’s kind of like hugging through a blanket, which is perhaps Mark Zuckerberg’s vision of intimacy. It’s not at all like being in a music club, or at a festival, drowning in the sound, eating the storytelling and being with people.

Lewis won over critics as well as fans and fellow musicians. Two different authors for the Boston Globe hailed her: “An Enlightening Presence” (Steve Morse). “It’s impossible not to have a good time listening to Lewis sing” (Scott Alarik).

At that point, I used The Eagle’s Checkup column to invite people to report on their pandemic experiences, from their kitchens and living rooms. I have a note from Lewis. She told me about her concerts on Facebook Live… of trying to “stay positive”… of getting ready to put in a garden.

She had just shared a dispatch on her newsletter that looked at how the pandemic was affecting an entertainer who had great locations and dates stolen.

I relayed her post to a few friends because I thought it said something real about how creative people do. They do it honestly and with humor. My kind of people.

How the pandemic prompted a party mum, nature lover and gardener to reinvent their working lives in Berkshire

“I operated with the belief that I should use this time to be productive, to pull projects off the to-do list, to finish my novels and write a million songs and become a jazz guitarist and classical pianist. Lewis said in this note to his subscribers. “But my motivation is completely inconsistent. I recently spoke with my therapist and wanted to share something she said. This period in which we live is a window of adaptation, not a window of self-improvement.

“Or, as Peter Mulvey (a Pioneer Valley folk singer) recently said in his concert online, ‘Shakespeare wrote’ King Lear ‘when he was in quarantine for the bubonic plague. I got up this morning and put on my pants.

Looking at his post again, I feel like something has been pulled, crumpled, from a time capsule. But I think we can understand.






bernice lewis

“If you’re hoping to be creative, I’d like to remind you that we don’t create in a vacuum,” Bernice Lewis told readers of his newsletter 20 months ago.




“If you’re hoping to be creative, I’d like to remind you that we don’t create in a vacuum,” Lewis told his readers 20 months ago. “Be nice to yourselves, notice what you accomplished today, even if it was as easy as making a healthy dinner.”

What happens after a quarry falls off a cliff?

I didn’t ask Lewis that, in those words, but I can see her stop and shrug. You keep trying to get back to work.

“I would wake up in the morning and say ‘Wow. This is my life,’ she said.

Not his whole life, however. She also teaches, and that’s a godsend. She is an associate songwriting artist at Williams College, where her husband, Scott Lewis, runs the Outing Club. Bernice Lewis also teaches songwriting at Schreiner University, Kerrville, Texas, and has taught at Colorado College and elsewhere.

It doesn’t pay all the bills, but education keeps Lewis connected to the craft, regardless of what’s going on in the industry.

Look ahead

Lewis has two performances planned in Israel in early 2022. She bought the plane tickets and they cost her $ 1,500, although the plane tickets, planes, airports, and all the tour equipment. , annoys him enough. She’s been traveling to see shows across the country for 35 years, after all. What all this fuss has earned him are fans. Particularly in Texas, where listeners appreciate singer-songwriters walking by and telling their musical stories, and then giving them the great honor of coming back to perform, again and again.

When the pandemic struck, Lewis was set to attend the Kerrville Folk Festival, in a town of the same name about an hour northwest of San Antonio. The 2020 festival was moved to last September, but limited to 200 tickets. Lewis had been a regular for years and years.

“I owe a lot of my career to the state of Texas,” Lewis tells me. They like him there. “Bernice Lewis may just be the icing on the cake,” Kerrville Festival Director Rod Kennedy once said of her.






bernice lewis

The pandemic closed concert halls everywhere in March 2020. “She just fell straight off a cliff in March,” Bernice Lewis said. “Some amazing things on my calendar are gone.”




The 50th anniversary of the Kerrville festival is scheduled over two weeks of performances in May and June. We bet Lewis, despite her deep affection for the festival, will be careful when buying tickets to travel.

The emergence of the omicron variant has the potential to put yet another year, a third, largely on ice for performers. Just recently, First Night Northampton, one of the most enduring annual venues for musicians in western Massachusetts, canceled its indoor performances for this Friday due to the variant. Other sites have it too.

For the music industry, it doesn’t matter what people tweet. This is the real culture of cancellation.

“The biggest challenge is that things continue to be called off,” Lewis said. “You are back to square one. If you buy a plane ticket and get canceled, you will not be refunded.

When music streaming services put the screws on the recorded music industry, artists hit the road. Suddenly the tours weren’t just part of promoting a new recording, they were paying the bills.

Since then, the places that populated the singer-songwriter’s itinerary have disappeared from the map. If they haven’t closed, Lewis says, they’re reluctant to make any commitments. Or they make commitments and cancel.

“At the moment it’s not even possible for most of us to put on a tour,” she said.

And now ? Lewis wonders.

Life on the road had already started to seem impossible to him. “Putting it all together is a daunting idea, and still not really possible, with all these variations raging,” Lewis told me. “Touring has always been something where you wonder how long you could hold it. The level of burnout has steadily increased.

She doesn’t really hope to rise in front of audiences in Tel Aviv and Karmiel next month and in February in Israel, despite having club dates – and those plane tickets.

His last short tour before the pandemic was a trip to Florida in February 2020, when the coronavirus was already moving through the United States but not yet a household word. Its flights were marred due to global issues with the Boeing 737 MAX.

There she was, grounded in the Sunshine State, with no idea, like all of us, of what was to begin.

“I have never seen the beach,” she said.

This Lenox startup hunts candidates who aren't even looking

PROJECT COMPENSATION CHECK: One of this year’s tech startups in the Berkshires is posting a tiny needle on its website, with a thread running through. Jane and Eric Singer, of Lenox, aren’t tailors, but they’re changing what it means to post a local job posting online.

They work at the corner of supply and demand.  Here's what surprises Berkshires staffing teams

PROJECT COMPENSATION CHECK: Recruitment agencies are, as brokers, between the many current vacancies in the region and the small pool of candidates today. This is what they see.

This is why your struggling teenager - or you - can wait six months to see a counselor in Berkshire County

Project paycheck: 100 jobs. It’s the pandemic shrinkage at the Brien Center, Berkshire County’s largest social service agency. We see what that means.


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